The Sigma 30mm F1.4 DC DN Contemporary is a bright, crisp, standard-angle lens for Sony and Micro Four Thirds mirrorless cameras.

The Pentax HD D FA 15-30mm F2.8 ED SDM WR is a huge lens, but one that covers an ultra-wide field of view with excellent sharpness, even at f/2.8.

The Sigma 50-100mm F1.8 DC HSM Art is an appealing lens for APS-C SLR owners who want a bright telezoom, but it's on the pricey side.

The Fujifilm X-E4's throwback style and dial-based control is sure to please fans of rangefinder cameras and is an especially good match with XF prime lenses.

The EF 24-105mm f/4L IS II USM improves upon the first version of the lens, but isn't the best 24-105mm available for the Canon system.

The EOS R6 is Canon's best mirrorless camera, with a stabilized, full-frame image sensor and an outstanding autofocus system, but video-first creatives will want to look elsewhere.

The Sigma 65mm F2 DG DN Contemporary sits somewhere between standard angle and portrait focal lengths, ideal for photographers who find typical standard lenses a bit too wide.

The Canon RF 24-70mm F2.8 L IS USM is the lens that pros and serious shutterbugs will want for their full-frame camera.

The Nikon Nikkor Z 35mm f/1.8 S is a sharp, light prime lens for Nikon Z cameras that's built well and delivers excellent images, but is on the pricey side.

The Sony FE 35mm F1.4 GM lives up to its premium billing with absolutely exquisite optics and a sturdy, professional build.